“You cannot teach a man anything; you can only help him find it within himself.” –Galileo
Now that I knew how to engage my students from the beginning
of the lesson as well as give myself the confidence that I needed to teach smoothly,
I was more than excited to teach what I was sure would be one of my favorite
lessons!
I am fascinated with European history and kingdoms in
general, and since we were learning about relationships, I decided to introduce
my students to the topic by putting a fun twist on something that I’m
passionate about: we would begin by exploring the relationship between
commoners and noblemen! They responded very well to the opening activity and I
was relieved to finally be comfortable teaching again!
To tie the lesson into the relevance of their own lives, we
took a moment to talk about our own personal relationships and how we speak and
act differently according to whom we are with. We actually skipped step 4
entirely for the sake of time, but I could tell it was unnecessary since the
students seemed to understand the difference in interactions so well. The step
5 activity would be more effective and efficient, anyway.
The most recent question I’ve had about teaching is in
regard to partnerships: Is it more effective to let these young students choose
their own partners, or be assigned partners? If I assign partners, am I losing
student ownership in my classroom? If I let students choose their own partners,
will the lesson objective be reached effectively? Because of this battle, I
have been a little too lenient in my classroom. I don’t want my students to
feel that anything is unfair, so I suppose I should consider this in advance
and choose a rule that best tailors to each lesson individually to avoid chaos in
the future?
I am continuously impressed with my students’ active
imaginations, clever responses, and eager attitudes. I have many students whom
I can tell will be very talented actors in the future! I am very humbled to be
one of the first to introduce them to the fascinating and beautiful world of
performing arts.
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LESSON PLAN:
Casey Greenwood
BYU Arts Bridge
4th Grade
Characterization Unit
Lesson 4: Relationship
LESSON EDUCATIONAL
OBJECTIVE: Students will demonstrate their understanding of how relationships
effect characterization by performing a contentless scene for the class.
USOE 4TH
GRADE STANDARDS: 1: Playmaking, Objective 1; Standard 2, Objectives 1, 2,
and 4; Standard 4, Objective 2
MATERIALS NEEDED: Printed
contentless scene (1 per student), relationship cards, computer access and
proper connection cables
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HOOK: Clear the
room to create plenty of floorspace. Divide the class into two groups and have
them stand on opposite sides of the room. Each side will take on the title of
either peasants or nobility. Invite the students to discuss amongst their own
group what life would be like if they were indeed living as a peasant or noble
in a kingdom. Next, have them discuss how they feel about the other group.
Invite the students to walk around the room and interact with each other as
they imagine peasants and nobles would interact if they were all shopping in
the marketplace. Choose one student from the nobles to be the “king” of the
class and have him or her sit on a chair in the center of the room. Next, have
the students discuss in their groups how they would act around the king. Invite
the students to interact with each other once again, but this time the king
will enter the scene, affecting their interactions.
Step 1
Transition: Ask
the students questions such as: How did you treat each other? Why did you treat
each other that way? What was different about the way you treated the king? Why
did you treat the king differently?
Step 2
Discussion: Write
“RELATIONSHIPS” on the white board. Have the students think about the names of
3 people that they know and what their relationship is with that person (i.e.
friend, mother, cousin, etc.). Ask for a few examples, and write them on the
board. Ask the students questions such as: How would you act toward your
(friend)? What would it look like? What would it sound like? How would you act
toward your (mother)? Etc.
Step 3
Model: Show the
students a video clip with no sound that features two characters interacting.
Ask the students questions such as: What do you think their relationship is?
Why do you think that? Next, have the students listen to a different video clip
featuring two characters. Ask the students the same questions as before.
Step 4
Group Practice: Have
the students get with a partner. Give each partnership an index card with a
relationship written on it. Have them discuss what that relationship might look
and sound like. Have the students improvise a 1-minute scene in which one of
the characters wants the other to give him/her food. Have each partnership
perform for at least one other.
Step 5
Assessment: Give
each partnership a contentless scene. The students will decide on a
relationship that they can apply to the scene, rehearse it, and perform for the
class. After each scene, discuss the relationship and the clues that the
students found within the scene that hinted at the characters’ relationship.
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LESSON SUPPLEMENTS:
VIDEO CLIPS: No sound: https://www.youtube.com/watch?v=kdQgv4Og71E
(1:05-1:45), https://www.youtube.com/watch?v=KFdfssf2MNc
(1:15-1:30)
RELATIONSHIP INDEX CARDS:
FATHER/MOTHER AND DAUGHTER/SON
BEST FRIENDS
TEACHER/STUDENT
OLDER BROTHER/SISTER AND YOUNGER BROTHER/SISTER
KING/QUEEN AND SERVANT
STRANGERS
***
CONTENTLESS SCENE:
CHARACTER 1: What do you think about that?
CHARACTER 2: I think it could be better.
CHARACTER 1: I kinda like it the way it is.
CHARACTER 2: Whatever you say.
Fun lesson plan Casey, I'm glad that you were able to easily adapt the lesson for the sake of time and that it worked to your advantage. I'm also glad that you are feeling more confident again. Choosing partners yourself will always be quicker and less messy and is a good option especially for a once-a-week teacher like you. If you feel like giving them more ownership with the groupings you could try letting them earn that privilege once in awhile.
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